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A Decade Later: Still Enchanted by the Laowa 105mm STF

Ten years ago, we first laid eyes on the Laowa 105mm f2 Smooth Trans focus lens, and it still holds a special place in our hearts.

4 min readThe Phoblographer
A Decade Later: Still Enchanted by the Laowa 105mm STF

Ten years is a long time to stay enchanted with a piece of glass. Yet here we are, a decade after the Laowa 105mm f2 Smooth Trans focus lens first crossed our path, and it still holds a distinct place in the conversation. We remember the original review, the quiet skepticism about a lens that asks you to trade light for something less tangible. But as time passes, we realize that the best tools don't shout; they seduce you with their subtleties. The STF elements might cost you a stop or two, but what they give back is a rendering that feels less like a photograph and more like a memory. It's a reminder that sometimes, the magic isn't in the specs, but in the texture of the image.

This lens speaks to the same instinct that drives us to chase Finding Joy on the Streets, One Frame After Fashion. In street photography, you're not waiting for the perfect moment; you're curating the chaos around you. The Laowa 105mm, with its smooth transitions and fascinating color, does something similar for portraiture and still life. It doesn't just isolate a subject; it gives it room to breathe. For our readers who are as much artists as they are documentarians, this is the practical takeaway: sharpness is easy to find, but character is rare. The lens's color output is a quiet rebellion against the clinical neutrality of modern glass, offering a palette that feels both authentic and aspirational. It's a tool for those who see photography as an art form rather than a mere recording device.

There's a parallel here to how we approach Capturing Cosmic Beauty: An Astrophotography Journey with Nikon. In astrophotography, you're chasing light that has traveled impossibly far, and the gear you choose either enhances that journey or dulls it. The Laowa 105mm, despite its niche appeal, reminds us that the same patience applies to terrestrial subjects. You're not just pointing and shooting; you're negotiating with light, and sometimes you have to give up a little to get a lot in return. The lens's bokeh is not merely a background blur; it's a deliberate choice to separate the essential from the extraneous. That's a philosophy that extends beyond gear, and it's why we keep coming back to it.

So what would we tell a reader who asks, "Is it still worth it in 2025?" We'd say this: if you value rendering over resolution, and you're willing to accept the quirks that come with a specialized tool, then yes. It's not a lens for every job, but it's a lens that makes every job feel more intentional. The concrete point to watch is how the secondhand market holds up; a decade later, this lens's unique character hasn't been replicated, and that scarcity will only grow more pronounced. The takeaway worth quoting is this: "You can chase the future with new gear, but the Laowa 105mm proves that some tools only get more valuable with age because they never stopped asking you to slow down." That's not nostalgia; that's a statement about the enduring power of a curated vision.

From The Phoblographer

10 years ago, I reviewed the Laowa 105mm f2 Smooth Trans focus lens. And today, it's a lens that I still consider to be something extra special. Sure, you basically lose some light as a result of the STF lens elements. But you get with it much smoother bokeh and far more fascinating color output. Then there's also sharpness and so much more.

Read the original at The Phoblographer