1 min readfrom Photography

What is your edit time per 100 photos (including culling)?

Our take

When it comes to editing photos, my process is quite methodical. I typically keep less than a quarter of the images I shoot, dedicating about an hour to culling and editing every 100 photos for personal use. This includes applying general settings, with manual adjustments for color grading and exposure on each photo. For professional work, I streamline my process by being less sentimental, which helps me make quicker decisions. However, wedding edits require more time due to the additional retouching involved.

In the realm of photography, the balance between artistic vision and the practicalities of editing can often feel like a tightrope walk. As highlighted in the insightful post by u/isak-combrinck, the process of culling and editing photos can be a time-consuming endeavor, with the average photographer dedicating about an hour to every 100 images. This statistic not only sheds light on the meticulous nature of photo editing but also invites a broader conversation about efficiency in creative workflows. For those who delve into the world of photography, whether as professionals or passionate amateurs, understanding these dynamics is crucial. The topic resonates with discussions around Non-editing photography, where some enthusiasts grapple with the decision of whether to invest time in editing or embrace a more spontaneous approach.

The emotional attachment that one develops towards their own photographs can complicate the culling process. As noted, maintaining a level of detachment can expedite decision-making, particularly when faced with multiple images that capture similar moments. This sentiment is particularly relevant for parents who find themselves sifting through countless pictures of their children, a task that can transform the editing process from a straightforward job into an emotional labyrinth. By contrast, photographers who approach their work with less sentimentality often find it easier to streamline their selections, allowing for a more efficient workflow. This raises an essential question for creative individuals: how can we cultivate a mindset that allows for both authenticity in our art and efficiency in our processes?

Moreover, the difference in editing time between personal and professional work illustrates the varying stakes in these scenarios. When capturing weddings, for instance, the stakes are higher, and the expectations for perfection can lead to a more labor-intensive editing process. For wedding photographers, the inclusion of retouching adds another layer of complexity, further stretching the hours spent behind the screen. This nuance not only emphasizes the importance of skill and experience in photography but also highlights the need for effective delegation when the workload becomes overwhelming. Understanding how to estimate time for sorting and editing can empower photographers to make informed decisions about outsourcing their editing tasks, ultimately fostering a more balanced creative life.

As we navigate these challenges, it’s important to remember that the journey of a photographer is not just about the final product but also about the experiences and stories behind each image. The conversation initiated by u/isak-combrinck serves as a catalyst for photographers to reflect on their editing practices and consider the implications of their choices. By embracing a mindful approach to both culling and editing, photographers can redefine their creative processes, allowing for more time to connect with their artistic vision.

Looking ahead, it will be intriguing to see how advancements in technology might further influence the editing landscape, perhaps offering new tools or methodologies to streamline this essential aspect of photography. As we continue to explore the intersection of creativity and efficiency, one has to wonder: will the future of photography lean towards automation, or will the human touch remain irreplaceable in the art of storytelling through images?

I keep less than 1/4 of my photos but it takes me about an hour per 100 photos to cull and edit for myself (general settings are applied to all photos, color grading and exposure done manually for each photo). For work I am faster but being less sentimental helps, that way you don't go back and forth between the 10 identical photos of your child, deciding which one to keep. When I do weddings it takes a lot longer, because there I also do retouching. Reason behind my post is I am trying to find an estimation for how long it should take someone to sort and edit photos if I delegate it.

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