medium format
medium format at Lee LHGFX Photography is a file of 10 stories. The newest of them: “A timeless medium format icon that still inspires creative film photography today”, “Rediscovering Joy Why an Old Minolta Lens Creates Modern Masterpieces”, and “A 180MP sensor whispers of new creative frontiers between art and technology”. Some cameras earn a place in history by being universally adored, and the Bronica ETRS is one of them. An old Minolta lens, adapted onto a Fujifilm GFX 50R, created portraits so beautiful they reminded a group of photographers why they fell in love with the craft. Lee LHGFX Photography is a dynamic portfolio and lifestyle hub built around the artistic work of @lee_lhgfx — a highly engaged Instagram creator and… The list below is every medium format story on Lee LHGFX Photography, newest first.
A timeless medium format icon that still inspires creative film photography today
Some cameras earn a place in history by being universally adored, and the Bronica ETRS is one of them. This timeless medium format icon offers photographers a beloved entry point into the world of removable film backs and that unmistakable chemical "sensor" magic. For anyone considering their first medium format camera, the ETRS delivers an immersive, aspirational experience. Curious about how other artists blur reality? Explore our piece on Magnum's curated sale, where fact meets fiction.
Rediscovering Joy Why an Old Minolta Lens Creates Modern Masterpieces
An old Minolta lens, adapted onto a Fujifilm GFX 50R, created portraits so beautiful they reminded a group of photographers why they fell in love with the craft. No filters, no post-production tricks, just glass and light. It is a deeply authentic way to achieve that coveted retro look. We have always believed the best tools are the ones that spark joy. For more on gear that inspires, explore our piece on the lifespan of a Fujifilm camera through an artist's eye.
A 180MP sensor whispers of new creative frontiers between art and technology
A 180MP sensor whispers of new creative frontiers between art and technology. Sony doesn't make medium format cameras, yet reports swirl around a massive sensor destined for something, Hasselblad, Fujifilm, or perhaps Leica. The buzz feels electric, conjuring a world where every pixel tells a richer story. Whether rumor or reality, the prospect is irresistible.
A Curious 220-Degree Fisheye Lens Frames a New World for Medium Format
A staggering 220-degree field of view transforms the ordinary into the extraordinary. AstrHori's new MF 8mm f/2.4 Fisheye for Fujifilm GFX and Hasselblad XCD cameras is a circular lens that bends reality, inviting medium-format shooters into a curious, immersive world. Manual focus here feels intentional, not limiting. It demands a creative eye. For another take on thoughtful framing, explore how the Vivo X Fold6 frames every moment with curated precision.
NiSi's new ultra-wide lens expands the GFX system's creative edge
NiSi's new ultra-wide lens brings a fresh edge to the Fujifilm GFX system, proving the platform's creative pull extends far beyond Fujifilm's own lineup. Nearly a decade in, the GFX's success is written in the expanding ecosystem of third‑party optics. This isn't just a lens, it's an invitation to compose wider, bolder frames. For a deeper look at how photographers frame stories over time, see Kathy Shorr's *Thirteen Years of Portraits Bearing Witness to Unthinkable Loss*.
Hasselblad's Mirrorless Shift: A Decade of Stunning Success
Hasselblad's latest financials read like a quiet victory lap, and rightly so. Betting on mirrorless medium format was a shrewd, well-timed move that has clearly paid off. The numbers don't just show growth; they reveal a brand reborn with intention. We admire when legacy companies take a calculated risk and let the craft lead. For those who appreciate the artistry behind the gear, this is a story of patience meeting precision. Curious how this shift influences creative workflows? Our piece on Leica Lux 2.
Timeless Vision: Why the Hasselblad 501C Remains a DSLR Legend
Some cameras refuse to fade into the background of memory. The Hasselblad 501C is one of them. In 2023, we called it a legend, and by 2024, pairing it with the CFV 100C made it our best DSLR of the year. Now, in 2026, it still lingers. That pull toward merging classic analog soul with modern digital workflow feels like the same energy behind our piece on finding joy with street photography. Some tools just keep calling you back.
A Wider World: The Panoramic Film Renaissance is Here.
Three new medium format panoramic cameras landed in just eight months. That is not a coincidence; that is a statement. I have put each one through its paces, and while the verdicts differ, the momentum is undeniable. This is a renaissance, and it is glorious. For those who crave a wider frame, who see the world in sweeping lines, this moment feels tailor-made for you.
Fujifilm GFX 100S II: Still Worth Considering in 2026?
The Fujifilm GFX 100S II has been on my mind since 2024, and the images it produces still carry that magnetic, medium-format glow. Yet, revisiting my notes, I find myself circling a familiar question: why would the modern photographer choose this camera? It is not about resolution or hype. It comes down to workflow, plain and simple. The joy is in the capture, but the daily grind of handling those files is where the romance either lives or dies.
Lomography's New Half-Frame Camera: A Retro Revival for Film Lovers
Lomography's new half-frame camera revives the joy of shooting two frames on a single 35mm shot, and we're intrigued. Following the success of the Pentax 17 and Kodak Ektar H35, this reloadable film camera feels like a natural next step. Yet something about it feels delightfully odd. We've even curated a film recommendation list to pair with it. For a deeper look at capturing life's candid moments, our article "Finding Joy on the Streets, One Frame After Fashion" explores street photography's authentic pulse.